abstract symmetrical
edgy symmetrical
edgy symmetrical
pretty symmetrical
Please note:
Most works are designed to seen MUCH larger. Even seeing them
on a bigger screen is a very different experience.
Most prints will work with a minimum longest side of 30in/76cm.
Tap here for digital usage permissions, and
for prints & framing information.
rock motion
source(s)
prints & usage
________________________________________________________________
communion of the irises
source(s)
prints & usage
________________________________________________________________
window box
source(s)
prints & usage
________________________________________________________________
beach noise
source(s)
prints & usage
________________________________________________________________
rock temple
source(s)
prints & usage
________________________________________________________________
spin tulips
source(s)
prints & usage
________________________________________________________________
bricks & metal
source(s)
prints & usage
________________________________________________________________
fall bearer
source(s)
prints & usage
________________________________________________________________
good dog woods
source(s)
prints & usage
________________________________________________________________
rock motion
source(s)
prints & usage
________________________________________________________________
communion of the irises
source(s)
prints & usage
________________________________________________________________
window box
source(s)
prints & usage
________________________________________________________________
beach noise
source(s)
prints & usage
________________________________________________________________
rock temple
source(s)
prints & usage
________________________________________________________________
spin tulips
source(s)
prints & usage
________________________________________________________________
bricks & metal
source(s)
prints & usage
________________________________________________________________
Please note:
Most works are designed to seen MUCH larger. Even seeing them
on a bigger screen is a very different experience.
Most prints will work with a minimum longest side of 30in/76cm.
Tap here for digital usage permissions, and
for prints & framing information.
good dog woods
source(s)
prints & usage
________________________________________________________________
fall bearer
source(s)
prints & usage
________________________________________________________________
a view to the hawthorne bridge
source(s)
prints & usage
___________________________________________________
_____________
life on the ledge
source(s)
prints & usage
________________________________________________________________
life on the ledge too
source(s)
prints & usage
________________________________________________________________
staples n’ nails
source(s)
prints & usage
________________________________________________________________
a view to the hawthorne bridge
source(s)
prints & usage
________________________________________________________________
life on the ledge
source(s)
prints & usage
________________________________________________________________
life on the ledge too
source(s)
prints & usage
________________________________________________________________
staples n’ nails
source(s)
prints & usage
________________________________________________________________
Please note:
Most works are designed to seen MUCH larger. Even seeing them
on a bigger screen is a very different experience.
Most prints will work with a minimum longest side of 30in/76cm.
Tap here for digital usage permissions, and
for prints & framing information.
adrianna's rings
source(s)
prints & usage
________________________________________________________________
bark with fungus
source(s)
prints & usage
________________________________________________________________
peeling trees
source(s)
prints & usage
________________________________________________________________
poste nasle drip
source(s)
prints & usage
________________________________________________________________
power vacuum
source(s)
prints & usage
________________________________________________________________
skyline with red moons
source(s)
prints & usage
____________________________________________________________________________
adrianna's rings
source(s)
prints & usage
________________________________________________________________
bark with fungus
source(s)
prints & usage
________________________________________________________________
peeling trees
source(s)
prints & usage
________________________________________________________________
poste nasle drip
source(s)
prints & usage
________________________________________________________________
power vacuum
source(s)
prints & usage
________________________________________________________________
Please note:
Most works are designed to seen MUCH larger. Even seeing them
on a bigger screen is a very different experience.
Most prints will work with a minimum longest side of 30in/76cm.
Tap here for digital usage permissions, and
for prints & framing information.
THIS page shows mostly older pieces that I love, but doesn’t fit with the work that I’m currently focusing on.
field blocks
source(s)
prints & usage
________________________________________________________________
herbs in pots
source(s)
prints & usage
________________________________________________________________
bricks & metal
source(s)
prints & usage
________________________________________________________________
THIS page shows mostly older pieces that I love, but
doesn’t fit with the work that I’m currently focusing on.
field blocks
source(s)
prints & usage
________________________________________________________________
herbs in pots
source(s)
prints & usage
________________________________________________________________
bricks & metal
source(s)
prints & usage
________________________________________________________________
Please note:
Most works are designed to seen MUCH larger. Even seeing them
on a bigger screen is a very different experience.
Most prints will work with a minimum longest side of 30in/76cm.
Tap here for digital usage permissions, and
for prints & framing information.
HI!
Thanks for visiting!
My wife, Jacqueline, and I have been sitting out the viral
siege in Portland Oregon since we retired here in early
2020. Turns out to be good place to do that, especially
since our kids are here!
PS, Jacqueline’s a poet. Click here to see her work.
Art work:
Most pieces are derived from a single photograph, while some combine two or more,
or include drawn elements. As is rather self-evident, I'm drawn to formal symmetry,
exaggerated and false colors, and from-somewhat-to-total abstractions of the original
images. Click here for my current Artist’s Statement.
Process:
To create my pieces, I use a variety of digital cameras to capture source images.
These are processed and manipulated with multiple software apps, as well as some
hand-drawn bits. I use an AI app for sharpening (manual sharpening is a tedious
rabbit hole), but everything else is me. Some works come together in a few hours, but
I work on most of them off and on over weeks or months. At the moment, I have
about 11 works in process.
Art cred:
Photography program at the Rochester Institute of Technology. Attended a variety of
drawing, painting and photography classes including a summer at the University of
the Arts College of Art in Philadelphia.
One solo show, a two person show, and pieces in 3 others, all 30 or more years ago.
I've spent most of my working life in IT, with a sprinkling of photography jobs and
volunteer gigs before & during:
•
High school yearbook photographer
•
Photography store manager
•
Staff and freelance photography including: portrait, advertising, catalog, and real
estate
•
Co-managed "artists-only" work-in-progress critique parties
•
Managed and taught at a rental darkroom & studio
•
Managed a photo club for a non-profit art gallery with ~130 members
•
Taught non-credit photography at the University of Virginia
•
Taught 4x5 camera workshops for professional photographers
You're welcome to contact me if you have questions, answers, offers, complaints,
concerns, crises, compliments, commissions, etc.
HI!
Thanks for visiting!
My wife, Jacqueline, and I have been sitting out the viral siege
in Portland Oregon since we retired here in early 2020. Turns
out to be good place to do that, especially since our kids are
here!
PS, Jacqueline’s a poet. Click here to see her work.
Art work:
Most pieces are derived from a single photograph, while some
combine two or more, or include drawn elements. As is rather
self-evident, I'm drawn to formal symmetry, exaggerated and
false colors, and from-somewhat-to-total abstractions of the
original images. Click here for my current Artist’s Statement.
Process:
To create my pieces, I use a variety of digital cameras to
capture source images. These are processed and manipulated
with multiple software apps, as well as some hand-drawn bits.
I use an AI app for sharpening (manual sharpening is a tedious
rabbit hole), but everything else is me. Some works come
together in a few hours, but I work on most of them off and on
over weeks or months. At the moment, I have about 11 works
in process.
Art cred:
Photography program at the Rochester Institute of Technology.
Attended a variety of drawing, painting and photography
classes including a summer at the University of the Arts
College of Art in Philadelphia.
One solo show, a two person show, and pieces in 3 others, all
30 or more years ago.
I've spent most of my working life in IT, with a sprinkling of
photography jobs and volunteer gigs before & during:
•
High school yearbook photographer
•
Photography store manager
•
Staff and freelance photography including: portrait,
advertising, catalog, and real estate
•
Co-managed "artists-only" work-in-progress critique parties
•
Managed and taught at a rental darkroom & studio
•
Managed a photo club for a non-profit art gallery with ~130
members
•
Taught non-credit photography at the University of Virginia
•
Taught 4x5 camera workshops for professional
photographers
You're welcome to contact me if you have questions, answers,
offers, complaints, concerns, crises, compliments,
commissions, etc.
Hi!
I don’t have a clear plan for this page, so it’s a bit of mish-mosh for the time being.
James W. Brewer III, Photographer
Jim, my oldest and dearest friend, passed away on June 11, 2023. He had a remarkable
career spanning a wide varieties of commissions including celebrities, jet aircraft, record
covers, ad campaigns, editorial, film set stills, etc. A snapshot of his work can be seen
on a website I built for him in 2002, which is now archived here. (Sorry, but it’s not cell
phone friendly.)
Jim and I met in the photography program at RIT, roomed together for a while, and had
many adventures there and elsewhere. A decade later, he became good friends with my
wife, as well (that’s her in the picture with him). He was smart, charming, generous,
kind, and always optimistic.
Wish list
If you have any of the following laying about collecting dust, I’d be delighted to take care
of them for you until you need them again:
•
32 inch-ish IPS UHD monitor. Contact me if you’re not sure what you’ve got.
•
A less-than-2 pounds, 50” or taller,tripod.
•
Very sporadic use of a studio/vacant space, anywhere in NW Portland.
Hi!
I don’t have a clear plan for this page, so it’s a bit of mish-mosh for the
time being.
James W. Brewer III, Photographer
Jim, my oldest and dearest friend, passed away on June 11, 2023. He had
a remarkable career spanning a wide varieties of commissions including
celebrities, jet aircraft, record covers, ad campaigns, editorial, film set
stills, etc. A snapshot of his work can be seen on a website I built for him
in 2002, which is now archived here. (Sorry, but it’s not cell phone
friendly.)
Jim and I met in the photography program at RIT, roomed together for a
while, and had many adventures there and elsewhere. A decade later, he
became good friends with my wife, as well (that’s her in the picture with
him). He was smart, charming, generous, kind, and always optimistic.
Wish list
If you have any of the following laying about collecting dust, I’d be
delighted to take care of them for you until you need them again:
•
32 inch-ish IPS UHD monitor. Contact me if you’re not sure what
you’ve got.
•
A less-than-2 pounds, 50” or taller,tripod.
•
Very sporadic use of a studio/vacant space, anywhere in NW
Portland.
Please note:
Most works are designed to seen MUCH larger. Even seeing them
on a bigger screen is a very different experience.
Most prints will work with a minimum longest side of 30in/76cm.
Tap here for digital usage permissions, and
for prints & framing information.
Prints, Framing, etc
Most of my work is best seen as larger prints.
Most will print well up to 16 sq feet at near zero viewing distance. That is, you won’t see any
pixelation, or other image degradation, even at a very small distance.
Please call me for exact pricing and delivery.
Sample prices including shipping, for a print of any work:
Material:
30 in (76 cm)
on longest side
40 in (102 cm)
on longest side
60 in (152 cm)
on longest side
fine art papers
$60
$100
$145
pearlescent
A.K.A metalic
paper
$90
$150
$225
stretched
canvas
$85
$150
$200
metal
$375
$600
$900
Contact me for questions & suggestions about:
•
material choice
•
matting and framing
•
other sizes
•
larger than 60 in (152 cm)
•
printing on other materials (walls, fabric, ceramic, glass, wood, “non-flat” surfaces,
etc.)
•
installation considerations and management
•
samples prints
•
custom work
•
Unique print: If a work has not been previously sold, you can have the only print
that will ever exist for a $500 premium.
Digital-only usage
Personal or non-profit: Download anything on the site, and let me know what you did
with it!
I’d also appreciate a mention, even if it’s just tagging it with www.mark-h-cohen.art
NOTE: the 3000 pixel wide, 96 DPI images on my site do not print well above roughly
16 inches wide.
Commercial: Make me an offer and we’ll talk. Purchase includes the highest res file I
have for the image (up to ½ a gig). NFT’s or exclusive rights are negotiable.
Prints, Framing, etc
Most of my work is best seen as larger prints.
Most will print well up to 16 sq feet at near zero viewing
distance. That is, you won’t see any pixelation, or other
image degradation, even at a very small distance.
Please call me for exact pricing and delivery.
Sample prices including shipping, for a print of any work:
Material:
30 in (76 cm)
on longest side
40 in (102 cm)
on longest side
60 in (152 cm)
on longest side
fine art papers
$60
$100
$145
pearlescent
A.K.A metalic
paper
$90
$150
$225
stretched
canvas
$85
$150
$200
metal
$375
$600
$900
Contact me for questions & suggestions about:
•
material choice
•
matting and framing
•
other sizes
•
larger than 60 in (152 cm)
•
printing on other materials (walls, fabric, ceramic, glass,
wood, “non-flat” surfaces, etc.)
•
installation considerations and management
•
samples prints
•
custom work
•
Unique print: If a work has not been previously sold, you
can have the only print that will ever exist for a $500
premium.
Digital-only usage
Personal or non-profit: Download anything on the site, and
let me know what you did with it!
I’d also appreciate a mention, even if it’s just tagging it with
www.mark-h-cohen.art
NOTE: the 3000 pixel wide, 96 DPI images on my site do not
print well above roughly 16 inches wide.
Commercial: Make me an offer and we’ll talk. Purchase
includes the highest res file I have for the image (up to ½ a
gig). NFT’s or exclusive rights are negotiable.
